This poster is a real collectors item and is perfect for lovers of classic Hollywood films. Her journey takes her to Japan, where she battles the Tokyo yakuza. Fox) and their leader Bill (David Carradine) after they try to kill her and her unborn child.
It stars Uma Thurman as the Bride, who swears revenge on a team of assassins (Lucy Liu, Michael Madsen, Daryl Hannah, and Vivica A.
Kill Bill: Volume 1 is a 2003 American martial arts film written and directed by Quentin Tarantino. This is the poster for the Tarantino directed cult classic released in 2003. Printed onto 150gsm paper, the posters are produced using the highest resolution images and quality printing techniques.
#KILL BILL VOLUME 1 POSTER MOVIE#
Tarantino has make a solid point with this film to show that martial arts scenes should stick to the artful and realistic choreographic treatment to sustain the true spiritual spirit of martial arts.Official Licensed Movie Poster - Produced in the USA. Every camera shot and scene seems to scream out, non-stop, `Kill Bill and all of Bill's DVAS members.' My adrenaline's still flowing as I'm recalling the scenes. The themes of betrayal and revenge come off strong. They set the moods so appropriately with the events.Įven at 'The House Of Blue Leaves', we get to see Tarantino weaving the artistic styles of Lucio Fulci, Chang-Che, Sergio Leone, Kurosawa, Zhang Yimou and Busby Berkeley to bring the audience a stylistic exhibit of remarkable montage grandeur. The music and lyrics that accompany the scenes are astounding. Violently brutal and gloriously gory without doubt, and yet so aesthetically operatic and astoundingly artful. Powerfully portrayed and not to be easily forgotten. Yep, there's a great deal of captivatingly artistic boldness in this film. It's examining how Tarantino catalogues the great stylistic elements of his favorite 'old-school' filmmakers and transforms them into a phenomenally creative and mesmerizing film. It's almost as if I'm watching a colorful and bloodied kabuki stage that's displaying a stunningly massive tournament of multi-layered kung-fu and female samura sword-fighting styles to dazzle the audience. It celebrates the Tarantino trademark of avoiding the use of computer-generated CGI special effects. Or is The Bride 'Just another little Western girl playing at being a samurai' - as O-Ren Ishii blatantly puts it? This film's a sampling of the Tarantino 'fury,' short of the Tarantino customary fiery tongue. Perhaps, Uma Thurman in her yellow suit is a salute to the yellow-suited Bruce Lee in his last film, The Game of Death. Observe the `Carrie' blank-starry eyed image settled on The Bride's gory face as she's introduced to the audience. It's impossible not to smile over the Shaw Bros.' iconic introduction ploy and the De Palma-esque split screens. Like in all his films, Tarantino never fails to merge dark humor with terror. Can anyone expect Tarantino's movie not to be a true mind-blowing, adrenaline-pumping shocker? Of course not! Gritty and slick, his first installment of KB rocks with moody western imagery, the '60s and '70s-era of Hong Kong martial arts-action, the influences of the ritualistic samurai swordsmanship, and Japanese anime. Sure it's outlandishly violent and bloody.
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